Krishna has long captivated both devoted and curious minds, reimagined through various lenses over time. From advertisements and art galleries to temples and scriptures, his multifaceted portrayals transcend culture, religion, and geography. Curated by Ashvin E. Rajagopalan, Director of the Piramal Art Foundation, ‘Bhakti: The Art of Krishna’ invites viewers to explore this rich tapestry of creative expressions — to witness how Raja Ravi Varma captures one facet of Krishna’s journey, M.F. Hussain offers another, and Manjit Bawa presents yet another dimension, with contemporary artists like Thukral & Tagra and Raqib Shaw providing entirely new perspectives on divinity.  

This showcase, running from July 18 to August 18, 2024, not only highlights Krishna's enduring appeal but also looks into what makes his story so irresistibly compelling. 

Reimagining Krishna 
Spread across the four floors of Art House, this evocative visual art exhibit harnesses artistic imagination to retell the life and legacy of Krishna. Yet, as you delve deeper, you'll find that the exhibition is less about the stories themselves and more about their interpretations, encouraging viewers to turn towards their own cosmic reflections.  

‘The artworks on display do not actually look at these stories in the context of mythology but rather as an expression of love and devotion the creators feel towards Krishna,’ describes Ashvin. ‘It showcases artworks by artists of all faiths, cultures, casts and communities from across India,’ he adds.  

A Fresh Take on Timeless Tales  
Bhakti reflects on beliefs, which materialise through traditional canvas paintings, calendar art, digital projections, scriptures, sculptures, and games. The atmospheric interplay of light, shadow, and sound intensifies the experience, making it all-immersive.   

The introductory floor reimagines a prison through a dark room, setting the story with the divine prophecy that leads to Devaki’s brother, Kamsa, imprisoning her and her husband, Vasudeva, out of fear that their eighth child will cause his death. The birth of the Lord is depicted in a single artwork, an iconic oil painting by Raja Ravi Varma that had not left Vadodara for over 150 years until this exhibit. This sets the tone for the rest of the journey. 

The second level takes visitors past the scenes of the Yamuna River and unfolds the adventures of young Krishna, exploring the mother-son bond between Yashoda and Krishna, his friendship with brother Balaram, his playful escapades with the gopis, his love for cows, and his victories in battles. This phase underscores the evolution of artistic imaginations and techniques over the years. From traditional European-influenced paintings, Krishna featured in calendars and commercials, rare metallic miniatures, and preserved hand-coloured lithographs — the viewer progresses to contemporary interpretations that reveal vibrant colours, abstract forms, and fantastical imagery. 

The next section guides the viewer through his life-affirming teachings, divided into three parts: a wandering, confused mind; the wisdom of the Bhagavad Gita; and the power of purposeful action. These concepts are illustrated through interactive elements, digital and wall displays, and even a board game, all designed to reassure viewers that achieving harmony in thoughts, words, and actions is, in fact, achievable. 

The final level brings to life the story of Indian shrines by recreating nine significant temples dedicated to Krishna. While it visually explores the physical landscape of the country, it also invites a personal exploration of devotion — each to their own. 

Peace, Purpose, and an Artistic Cleanse   
Centred around devotion, the exhibit stands as a testament to the unyielding human pursuit of peace and purpose. ‘The exhibition is intended to provide the viewer with the story of Krishna as an anchor to one’s own wandering mind, anxiety, doubts and confusions,’ Ashvin shares his curatorial vision. 

By blending art with spirituality, the path of Bhakti reminds us that all manifestations of life are sacred, as the divine is present in all of them. More belief than faith, more faith than religion, this effort nurtures love for oneself and others, as well as forgiveness, hope, and kindness.  

‘Bhakti is the perfect meeting ground for people of diverse backgrounds — a powerful example of how creative impulses and devotion intertwine in India’s rich repertoire of visual arts,’ emphasises Isha Ambani. For some, the childhood stories shared by their grandparents sprang to life; for others, it was a deep dive into Indian heritage. But for all, it offered a fresh perspective on artistic presentation. 

One might wonder why Krishna’s stories and teachings continue to stay relevant. While it’s ultimately for you to experience, a keen insight would be that they offer what we all seek: a mirror for self-reflection, a balm for inner peace, a drive to pursue one’s purpose, and the assurance that, in the end, everything will fall into place and balance will prevail over chaos.